Oyo Boy Sotto and Khristine Hermosa Nuptial Video

Saw this posted on facebook - The Oyo Boy Sotto and Khristine Hermosa Nuptial video. Khristine Hermosa looks very lovely in her wedding dress.

Click the Oyo Boy Sotto - Khristine Hermosa photo to watch the video below ->

It's Official - KC Concepcion and Piolo Pascual Are Now A Couple

Yesterday, Piolo Pascual admitted that he and KC Concepcion are now going steady since October last year. Finally, Piolo had the courage to admit the rumors that's been going on for quite some time now.

Sorry, but the one on the photo with KC Concepcion is not Piolo Pascual. These cute KC Concepcion photos show her fondness on animals. And by that, we're not making any connection with the news that KC and Piolo are now officially together. (wink wink)

More cute KC Concepcion photos with animals inside - >

Karylle's Sexy Album Cover

Karylle is set to release a new album but this time, she decides that the album cover to be a little different from her previous ones. A little mature and on the sexy side.

Check Karylle's sexy album pictorial.

More Karylle's sexy photos inside ->

beyond the Ear Tattoos - The area of expertise of Ear Tattoos

beyond the Ear Tattoos - The area of expertise of Ear Tattoos

Many women folk are inking their bodies these existence. Apart from detecting the astounding and beneficial artwork, more women folk are nowadays deciding on exceptional body locales to ink, and succeeding the ear tattoos are becoming general.  varying the undertaking tattoo, you could without difficulty protection up the ear tag also your extensive hair when you don't desire to come into sight it. If there is a trot out about confessing your tattoo at the administrative center or in school, this will be a accepted body place to imagine.

Tattoos in this address are regularly juvenile, save for the designs would be especially appealing. There are with regards to endless alternatives you could assign for such a adolescent district. You could have a feminine and charming organization or firm and mediaeval make artwork. a couple of the regular subsequent to the ear tattoos for women folk are the astrological indications, personalities, ducks, hearts, vegetation, cartoons and butterflies. You could yet agree to have someone's point out harshly fixed subsequent to your ear to suggest a nearby relationship.

everybody has a various worry threshold. one or two workforce search out inking an ear tattoo is first-class and barely bled, when others capture it excruciating as this zone has less chubbiness innards in between the skull bone and the skin. You may well imagine stricken when the needles hammer the bone. then again, it is a absolutely express system as succeeding the ear tattoos only occupy a precisely tender place.

As ear tattoos will have more occurrence to sunshine, you may perhaps demand to refuge your plot in addition to sun hamper lotion to slow down the authorize from altering color or weakening. given that succeeding the ear tattoo is very discernible when you solicit to become visible it, you should get your hands on a organization which impress you or has perfection to you. For ladies who are on apex of the brand new generate and tattoo propensity, you might agree dying your hair, realizing your nose pierced and inducing your beyond ear inked.

Hena Tattoo ( 1 )

Hena Tattoo ( 2 )

Hena Tattoo ( 3 )

The Wall Project

Mumbai, the former Bombay, is an almost indescribable city. A maximum, 24 hour, high speed, bombastic, nerve shredding place where the psychedelic future collides with a medieval past. More expensive than Manhattan, it is home to millions of people and is the 2nd most populated city on Planet Earth. The traveler cannot prepare for Mumbai. Mumbai happens to you. It assaults you. It gets into your airways, under your fingernails, and in most cases, shoots a rusty arrow straight into your heart. In a city than is home to India’s biggest players, the uber wealthy of the world, poverty is everywhere. Millions sleep on the streets or in the now famous slums. Political agenda is everywhere, blasting out of speakers mounted on street corners, dominating the cityscape. Mumbai is intense, so much so that the very act of writing the flimsy words make a joke of the reality.





Mumbai tells it’s epic story through visual messages. Street art in India has existed since the dawn of humanity. Indian people love to embellish, decorate, adorn and maximize every surface. Religious and political viewpoints are as visible as Bollywood movie posters, or the massive proliferation of Vodafone and Airtel advertising. But painting with spray cans is a new thing, which has seeped through via hip-hop and MTV.





The Wall Project is an open project, started by four students from the National Institute of Design. Their approach is intrinsically different from their more studied Western counterparts. “It’s interesting to understand patterns, ideologies and styles that western graf has, but it need not work for us in the same way,” says Dhanya, a founding caretaker of the project. For example, writers in the west enjoy the highly politicized concept of seeing their particular name in the public sphere. It is personal, and arguably and egocentric display. Conversely, one of The Wall Project’s fundamental requirements is that those taking part do not actively seek to offend. “In India, one is already bombarded with so much information, advertising, traffic, noise,” says Dhanya, “Why not add something that would instead relax the mind and soothe. Look around in Mumbai – there are political slogans and posters and faces of politicians and their supporters glaring at you all around. Why would we want to add any more to that mess?”







The Wall Project artists seek to provide a visual reprieve from the overwhelming pressure of Indian life. There is a naivety, a sweetness to the work. Anyone can be part of the project, making it an inclusive and person-to-person exchange. “There is no need to paint illegally in India,” says Dhanya. “There are so many dirty walls, no one would mind a fresh coat of paint and color.” Unfortunately, the flip side of this is multinational corporations taking full advantage. Vodafone, Airtel and Coke-a-Cola are brands whose visibility cannot be ignored. Their logos absolutely saturate modern India, simply by offering street vendors and homeowners a fresh coat of paint. The advertising strategy seems to be total blanketing of the country. “The average street vendor don’t realize it’s value and how much cheap visibility these companies are getting,” says Dhanya.











The Wall Project has stretched far up into the mountains of Ladakh, to the ghats of Varanasi, to the beaches of Goa. Painting in the streets of India is about having a personal relationship with the space around you. The general public’s reaction has been enlightening and positive. “The public is curious and excited,” says Dhayna of works in progress. “They are amazed that people can do something for the city without expecting anything back! They are sometimes suspicious, but once we chat with them some offer food and juice, or even show us more walls. It’s fun and addictive. More and more people are watching what we are doing and have joined in, from kids to senior citizens. Some even got inspired and started their own collectives!”









It’s an empowering creative movement in a country where one’s place can often be lost in the chaos of survival. The idea that awareness (of how you can inspire, of what you can do for those around you) can create a better way of living is what The Wall Project hopes to ultimately convey though street painting. It’s an exciting time for the emerging culture of Indian street art. A new movement in its infancy is something graf artists in the west can only remember and romanticize.

The Wall Project

Mumbai, the former Bombay, is an almost indescribable city. A maximum, 24 hour, high speed, bombastic, nerve shredding place where the psychedelic future collides with a medieval past. More expensive than Manhattan, it is home to millions of people and is the 2nd most populated city on Planet Earth. The traveler cannot prepare for Mumbai. Mumbai happens to you. It assaults you. It gets into your airways, under your fingernails, and in most cases, shoots a rusty arrow straight into your heart. In a city than is home to India’s biggest players, the uber wealthy of the world, poverty is everywhere. Millions sleep on the streets or in the now famous slums. Political agenda is everywhere, blasting out of speakers mounted on street corners, dominating the cityscape. Mumbai is intense, so much so that the very act of writing the flimsy words make a joke of the reality.





Mumbai tells it’s epic story through visual messages. Street art in India has existed since the dawn of humanity. Indian people love to embellish, decorate, adorn and maximize every surface. Religious and political viewpoints are as visible as Bollywood movie posters, or the massive proliferation of Vodafone and Airtel advertising. But painting with spray cans is a new thing, which has seeped through via hip-hop and MTV.





The Wall Project is an open project, started by four students from the National Institute of Design. Their approach is intrinsically different from their more studied Western counterparts. “It’s interesting to understand patterns, ideologies and styles that western graf has, but it need not work for us in the same way,” says Dhanya, a founding caretaker of the project. For example, writers in the west enjoy the highly politicized concept of seeing their particular name in the public sphere. It is personal, and arguably and egocentric display. Conversely, one of The Wall Project’s fundamental requirements is that those taking part do not actively seek to offend. “In India, one is already bombarded with so much information, advertising, traffic, noise,” says Dhanya, “Why not add something that would instead relax the mind and soothe. Look around in Mumbai – there are political slogans and posters and faces of politicians and their supporters glaring at you all around. Why would we want to add any more to that mess?”







The Wall Project artists seek to provide a visual reprieve from the overwhelming pressure of Indian life. There is a naivety, a sweetness to the work. Anyone can be part of the project, making it an inclusive and person-to-person exchange. “There is no need to paint illegally in India,” says Dhanya. “There are so many dirty walls, no one would mind a fresh coat of paint and color.” Unfortunately, the flip side of this is multinational corporations taking full advantage. Vodafone, Airtel and Coke-a-Cola are brands whose visibility cannot be ignored. Their logos absolutely saturate modern India, simply by offering street vendors and homeowners a fresh coat of paint. The advertising strategy seems to be total blanketing of the country. “The average street vendor don’t realize it’s value and how much cheap visibility these companies are getting,” says Dhanya.











The Wall Project has stretched far up into the mountains of Ladakh, to the ghats of Varanasi, to the beaches of Goa. Painting in the streets of India is about having a personal relationship with the space around you. The general public’s reaction has been enlightening and positive. “The public is curious and excited,” says Dhayna of works in progress. “They are amazed that people can do something for the city without expecting anything back! They are sometimes suspicious, but once we chat with them some offer food and juice, or even show us more walls. It’s fun and addictive. More and more people are watching what we are doing and have joined in, from kids to senior citizens. Some even got inspired and started their own collectives!”









It’s an empowering creative movement in a country where one’s place can often be lost in the chaos of survival. The idea that awareness (of how you can inspire, of what you can do for those around you) can create a better way of living is what The Wall Project hopes to ultimately convey though street painting. It’s an exciting time for the emerging culture of Indian street art. A new movement in its infancy is something graf artists in the west can only remember and romanticize.